Resources for Communication Problems

Monday, November 24, 2008


Paul Cézanne (1839-1906)

Paul Cézanne (IPA: [pɔl se'zan]; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne can be said to form the bridge between late 19th century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. The line attributed to both Matisse and Picasso that Cézanne "is the father of us all" cannot be easily dismissed.

Cézanne's work demonstrates a mastery of design, colour, composition and draftsmanship. His often repetitive, sensitive and exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields, at once both a direct expression of the sensations of the observing eye and an abstraction from observed nature. The paintings convey Cézanne's intense study of his subjects, a searching gaze and a dogged struggle to deal with the complexity of human visual perception.

Rideau, Cruchon et Compotier, 簾子、罐子、盤子1893-94

$60.5 - $78.3 Million

Rideau, Cruchon et Compotier is a painting created in about 1893 to 1894 by French artist Paul Cézanne (January 19, 1839October 22, 1906). It is considered the most expensive still life ever sold at an auction.

Cézanne was famous for drawing still lifes, especially those which expressed complex emotions while still being based upon reality. These type of paintings would eventually lead up to the creation of new art styles during the 20th century such as Picasso's cubism.

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